One of the things I was unhappy with from the Uber Memoria X suite was the limited scope of how I could light and play around with each part, as the uniform blue scheme had to hold up throughout the works in order to get the type of effect I wanted. Bringing these types of shots back to daylight again allowed me to be more faithful to the German source paintings and talk directly to that particular reference point. Here are some more pics from the first suite, hope you like them. Had a few questions this week about workflows, I'm cutting in a 720p FCP timeline then exporting out as an XML to AE for grading with Film Magic Pro, lighting with Optical Flares 1.2 and adding airborne particles with Particular.
